Skip to content
August 5, 2017 / shawnbrookwilliams

T-shirt design/illustration – Here Be Monsters, Podcast

Here is a mocked up t-shirt design I did for the dark, interesting, and eerie podcast Here Be Monsters. The illustrated monarch wing, bat wing, and ant elements come directly from the many strange topics the Podcast discusses. For a listen go here. I find the Hale Bop cult (episode 43), hitchhiking (episode 61), and the sasquatch (episode 25) stories particularly noteworthy.

Here Be Monsters

August 2, 2017 / shawnbrookwilliams

The Office – character illustrations

Stanley, The Office

Below are 14 character sketches I’ve drawn based on the television program The Office (American version). They were created on an iPad Pro with a digital pencil. Many of these were originally posted on my Instagram account here.


May 25, 2016 / shawnbrookwilliams

Poster event series – AAF Fox River Ad Club – Design

I’ve had the honor (and pleasure) of serving as the graphic designer for the AAF Fox River Ad Club this year including event posters, AAF Facebook imagery, eBlasts, flyers, and other collateral. Below are 8 of the found clip-art retro-ish posters.


May 20, 2016 / shawnbrookwilliams

Gallery Reception – Stevens Point, WI – poster


Gallery Reception
Artisan Alley – Artist & Producer Series
Friday May 20th (5-8pm) & Saturday May 21 (10am-2pm)
With work by Ashley Megal and Chelsea Graham
1052 Main Street, Stevens Point, WI,

Poster design by Shawn Williams

May 18, 2016 / shawnbrookwilliams

Blayne Belter – webcomic – interview is a new webcomic by Blayne Belter and Nick Devos. This is a quick chat with Blayne.


Shawn Williams: is a new webcomic you are collaborating with Nick DeVos, tell us what it is about?
Blayne Belter: It’s an all ages comic (fun for kids and adults alike) about space travel and being lost. Our adventurers are trying to find their way back home to earth.

SW: What made you want to create webcomics?
BB: I’ve always wanted to create a story start to finish. Learning a bit about creating websites made me want to make something more custom that stood out a bit from the webcomic crowd. Also, it is free to publish and delivering content is pressure free!

SW: Why an all ages space theme?
BB: So much story telling freedom because so much is unknown. Always loved Star Wars and Marvel comics as kids. So we hope other kids can’t get enough of it like we couldn’t. You can hit on the science fiction aspect without being science specific.

SW: I have been told Blayne Belter knows funny, should we expect humor in Super-5?
BB: No you shouldn’t. This is a straight forward story, featuring boredom as the main theme.

SW: I understand on this webcomic you’ve done extensive character studies, do you want to tell us about your process?
BB: We started with the names. All of our characters are named after historic scientists and inventors. From there we gave them archetypal traits and they have been falling into place with ease as we have been creating dialogue and story.

SW: As well as a talented illustrator/comics creator you are a professional graphic designer? How do those skills translate to creating art into comic book formats?
BB: All of it. I would say this project is 50/40/10. 50% story creation and weaving it from episodical, while keeping an over arching bigger story from start to end. 40% design (web site design and user experience forethought consumed my life for over a year). I design the episodes/comics more than I illustrate them. I could do them by hand, but the need to crank content helped me decide to design a method for being able to do original art as well as make things quicker (day job takes 1st place). Designing and sequential art (comics) are so similar. Most of the time it is about delivering a message as simple as possible allowing images to say the words you don’t write. You start from the top left and end at the bottom right of your page. I will, and have, been placing a lot of power on color to set tone, placement and mood. Aside from design this is so much more personal to me. I like advertising design, but story telling is what I love. I think the only difference is where you hang your heart. 10% educational/message delivery. Our main audience is children so we want to deliver positive messages. As more chapters/ episodes/comics are produced our themes will come out more. They aren’t pound you over the head themes, but it is all about doing the right thing and understanding differences in the end. Coming together to accomplish big things. Good stuff!
SW: Do you consider yourself an artist that writes, or a writer that draws?
BB: Wow. I have friends that can draw the pants off me (literally, they would make it look hilarious). I think it is more fair just to call me a story teller.

SW: What direction do you see the sequential art medium moving in?
BB: I think print and web are doing great. I think the original story telling is getting bigger and bigger. The big guys like Marvel and DC and their off shoots will always be fine, but the promotion Image has done to new content and some of the excellent web comics out there have played a huge role in getting other people involved. There really is something out there for anyone and everyone!

SW: What are you reading these days?
BB: Walking Dead… always. Thanks Dave at Powers Comics for starting me on it 10 years ago. I just started rereading Bone by Jeff Smith, because I love it and I have the whole Scholastic collection in color. Before that I reread Barry Ween by Judd Winnick. The last stash I bought was Afterlife with Archie (pretty good so far) and finished up my run with Batman and the great Scott Snyder and Greg Capullo. Saga is always a favorite too. OK. I have too many.

SW: And last but not least, when have you laughed the hardest?
BB: When a junior high school friend of mine lit a fart at my family cottage.

SW: Thanks Blayne
BB: Ya Betcha, Bro
December 16, 2015 / shawnbrookwilliams

Bring Your Lightsaber To Work Day – Friday!!

Just for fun, grab your (or your kids) toy lightsaber and have an epic lightsaber battle in the office… Why not? Friday, 12-18-15. This is also, as you know, the official release date of the Star Wars film The Force Awakens – of which I’m totally jazzed to see!!

Please I don’t want to hear about anyone getting in trouble or injured… Just use your Jedi training wisely and pick a lightsaber duel with your coworker!!


Check out this nutty animated GIF I whipped up for said event!

March 30, 2015 / shawnbrookwilliams

Vote for Heidi – Political sign design

My friend is running for Town Clerk in the community outside New London, WI, and I helped make these simple signs. Vote for Heidi!


February 28, 2014 / shawnbrookwilliams

JNRC Logo Design – Italian Refugee Center redesign

I have just completed a really cool graphic design request they are going forward with – a refreshing new logo design for the Joel Nefuma Refugee Center in Rome, Italy. Their site is here and their Facebook page is here. One of most exciting things about design and illustration work is seeing your art disseminate all over the world into places you may never expect. And the opportunity to create work for this non-profit organization that has a large, honorable purpose – well that is what life is about. Listening to the stories, and meeting the people involved with the JNRC has been so inspiring. I am so glad I could be associated with this organization.
The logo design itself comes out of several discussions with Jill Drzewiecki as well as research on JNRC itself. The ‘upside-down’ earth image is an idea from Jill herself, suggesting that the Northern Hemisphere on ‘top’ of the world doesn’t necessarily represent how the earth could have been presented. What if maps and globes were all flipped – which could just as easily have been the case? Looking at things without preconceived notions is part of a larger philosophy of the JNRC. National identity, personal identity, relating to others… these concepts can and perhaps should be challenged, but ultimately the need to make the world a better place should be an end goal, regardless of ones past. What I mean is that offering a non-traditional view of the world is certainly different, but it is also correct. A different view is a valid way to see things, even if it is new or just never seen before.
The color palette of the logo is a dark blue and a green, they are colors intentionally not strongly associated with any particular country, as the JNRC proudly accepts everyone through it’s doors.
The simple hands around the earth are a semi-universal sign of hope and are a common element in peace keeping iconography.
And just for fun I thought I’d share (at a very small size) some of the logo iterations we went through before coming to the new logo.
February 26, 2014 / shawnbrookwilliams

Predicaments: Mostly True Hunting & Fishing Stories

I am very proud to announce the book Predicaments: Mostly True Hunting & Fishing Stories written by Randy Williams with illustrations and book design by Shawn Williams has now been released!! It’s on here. It has been a pleasure working with my dad on this original project. He has long been known for telling great hunting and fishing stories, and has a way of making them entertaining, even if you are not a huge fan of these outdoor hobbies that mean so much to him. There are more than 20 very funny true tales in the book, that showcase friendly wisdom as well as dumb luck. And ultimately a true love for the outdoors. See Randy’s fishing guide and taxidermy site here.

Thanks for checking it out, I know you’re going to love it.


Predicaments: Mostly True Hunting & Fishing Stories

  • Paperback: 132 pages
  • ISBN-13: 978-1494704834
  • Product Dimensions: 9 x 6 x 0.3 inches

Randy has a great way of putting his outdoor experiences into words. Reading this book is like being there with him on his adventures.
— Steve Jordan
Wisconsin NWTF Outdoor Writer of the Year

Randy Williams, an avid Wisconsin outdoors man, has accumulated countless humorous anecdotes. This collection of tales centered on Randy’s passion for spending time with family and friends in the outdoor world rekindled many fond memories of my own adventures as a sportsman and I am sure it will do the same for you.
— Mike Troyer

Yup, I have been in many a predicament with Randy and I keep coming back for more. A unique quality that Randy has (as evidenced in this book) is that he can laugh at himself. Don’t let his “predicaments” fool you. The author is a gifted hunter and fisherman. More importantly he is a good steward of our land. Everyone should have a hunting and fishing partner like Randy. Enjoy the book.
— Paul Drzewiecki



January 30, 2014 / shawnbrookwilliams

INTERVIEW with comics creator – Matt Bellisle

I had the pleasure of meeting Matt Bellisle a few years ago and for some time he’s been sharing his cool ideas for a unique folded comic book called Tetherman, and it is coming out soon! Read an interview I did with him below and check out his Kickstarter fundraising campaign to support the book and purchase a copy here.

INTERVIEW with comics creator/illustrator/graphic designer – Matt Bellisle

Tetherman is a new comic book you are collaborating with Chris Garrity on, tell us what it is about?

MATT BELLISLE: The Tethermen is a book I’ve been cooking up for a few year’s now. It’s about a group of individuals who can travel within the dreamscape that we all sleep in… That shared dreamscape is an energy field we all share and reside in when we sleep. These people, the Tethers, can not only access their own dreams, but those of others and literally jump from one dream to another. Like anyone with power, some of these people become corrupted and start to use this for unsavory means. So when we join the story, there is about to be a war between these forces within the dreamscape.


The format for Tetherman is quite different, what led you to create a folded, poster sized comic book?

MB: The book is unique in that it isn’t presented in a standard paged book, but opens up into a giant poster. When you see the book on the shelf, it looks like a normal comic, but when you open it, it unfolds like a map, into a large-format poster. I’ve been doing self-published books for years and I’ve always played around with goofy formats, no two ever being the same. But since those were always just put together with laser prints, they were always small. So when it came time to do this project, I wanted to step out of that mold and do something just the opposite and do a large format comic.

That’s where I brought in my good friend and amazing artist, Chris Garrity. We both are big comic guys, so we came up with a way to each do our own series, but collaborate at the same time. What we are doing is each taking a different side of the poster/book. My side is the Tethermen, and his side has his own creation, the Neolithics. Our hope is that the book will be successful enough for us to put out at least three of these. While both stories are separate from one another, we are planting clues between the two stories that will eventually lead to them being part of one larger story that interwinds between the book.

You have a very detailed drawing style. What is your illustration process; photo reference, digital inking, drawing tablets?

MB: Both of our stories are a nice contrast to one another in tone and style. Chris’ style is much more traditional comic-styled with roots to Geof Darrow or Moebius, where mine is a much darker photo-referenced look and probably inspired by guys like Tony Harris or Tim Bradstreet, more than anyone else. I now do all of my art work right in Photoshop, where I’m essentially drawing right over the reference shots I take for the characters, which are typically friends and family I bribe into posing for shots for me.

As well as a talented comic book creator/illustrator were the Creative Director for Spark Advertising, President of AAF Fox River Ad Club, and recently struck out on your own forming the graphic design firm GravityDSN and freelance illustration work – what am I missing?

MB: I think both the book’s format and visual style is a product of my day job, being a Creative Director and Designer for a design firm. I had been working at advertising agencies as a Creative Director or Art Director for over 15 years and just recently decided to quit working for “the man” and start my own company. The new firm, Gravity DSN is a place where I’m still focused on designing and working with branding work, but can also add illustration and comics to the mix. So with that, I can now focus a bit more on the comic work and make that a part of the company’s workflow, as opposed to working on the comic after hours when the rest of the family was in bed.

What are some projects you have coming up?

MB: We are a bit behind schedule, but we have now released Tethermen to the world via The link to our Kickstarter project is here. We continue to see great and not-so-great stuff get funded and supported through that site. It’s such a great opportunity to show a large amount of people your work and have then support you to make it happen. If all goes according to plan, we plan to “release” the book to the public at the 2014 C2E2 in Chicago. We also plan to self-distriubte the book through our own website and bypass the traditional distributors. It will be more work for us, but we feel the best part of the comic scene is the “community” and for us to talk to people in person or send them copies ourselves for review just seems more personal and connected to our peers.


Bluewater Productions has had the pleasure of using your illustrations on several covers and some internal art. What can you tell us about working with them?

MB: The last few years also saw me doing a number of freelance comic projects with Bluewater Productions out of Washington state. I started doing some work for them several years ago on some spec covers for a Battlestar Galactica pitch they were doing. That fell through, but the strength of those concepts lead to me working on the covers for Bluewater’s Warlock, The Misadventures of Adam West, Logan’s Run, Fame: David Beckham and Female Force: Stephanie Meyers books. I also did a few interior pages for them in the Vincent Price Presents and Stephanie Meyer deluxe edition. A lot of people complain about their payment structure, which is not built to favor the creators, but despite not really getting paid for that work, it was a good experience for me and I had a lot of work published that I wouldn’t have had if they hadn’t given me the chance.

What direction do you see comic books moving in?

MB: Where do I see comic’s going in the future? Hopefully it will always be in PRINT. For me, it’s all about the textile experience of holding a book in your hands and flipping the pages. As Paul Pope has said, comic’s are little “design containers” and I completely agree. They are a package, with creatively conceived visuals and words, all designed to provoke an emotion response from the reader. There’s an intrinsic quality to the texture of the paper, the smell of the inks, the size and shape of the book that are all taken into account when we experience a comic… I just don’t get any of that emotional connection to a story when I read it on my tablet or computer… I feel so disconnected to it…

I also think comics are going to continue to be a medium that grows, but in a more underground way. I think Marvel and DC have taken the superhero genre about as far as they can and readers are reacting to that by trying more and more independent comics that have nothing to do with capes or super powers. Those are the types of comics that I see taking the comic-scene forward. I think there will always be a market for the Superhero books, but I hope the indy scene can grow to new heights.

What are you reading?

MB: Loving the new Prophet series from Image, as well as RASL and Rachel Rising… I tend to get the Image and other independent stuff and shy away from Marvel and DC.


Thank you Matt, best of luck with all your creative endeavors!
%d bloggers like this: